Sculpting the void: when absence becomes substance
When I create a sculpture, I do not only seek to work the material.
I also seek to let air, light, and the gaze circulate.
In my work, the void is never a lack. It becomes a living space, a silent breath that fully participates in the emotion of the artwork. Through metal lace, I try to create sculptures where light is an integral part of the composition.
When the void becomes an invisible material
For a long time, sculpture was mainly thought of as an art of mass: stone, bronze, or wood fully occupied space. Today, contemporary sculpture also explores what is not solid.
The void structures the artwork as much as the material itself. In my sculptures, the openings and transparencies allow the gaze to move freely. The metal does not close the form: it outlines the air that passes through it.
I seek a balance between presence and lightness, between strength and delicacy.
When light becomes an integral part of the sculpture
The void allows light to pass through the sculpture and transform it throughout the day. Depending on the time, lighting, or viewpoint, the artwork subtly changes.
The projected shadows extend the form and almost become a second sculpture.
It is this shifting relationship between metal and light that particularly interests me.
Sometimes, certain sculptures seem to almost disappear, leaving only a visual vibration. It is in this instability that another way of looking is born.
A sculpture that changes depending on the gaze
An openwork sculpture is never revealed all at once. Each movement of the viewer brings out new lines, new transparencies, and new balances.
This dialogue between the artwork and the gaze gives it a form of life. The sculpture is no longer just an object to contemplate: it becomes a presence that evolves in space.
Between the power of metal and the sensation of lightness
Steel is a strong, dense, and durable material. Yet, through metal lace, I seek to give it a form of almost organic lightness.
Bronze, too, can become more aerial when the matter opens and lets light pass through. This tension between power and fragility is at the heart of my work.
It allows me to create works that seem both solid and moving, present and discreet.
Sculpting the interval as much as the metal
Each opening is an integral part of the composition. The metal does not close the form: it draws the space around it.
I seek to create a dialogue between fullness and emptiness, between matter and what surrounds it. The gaze then naturally completes the sculpture.
Why openwork sculptures resonate with our time
Today, many collectors and art lovers seek works that are more open, brighter, and more sensitive. Openwork sculptures bring a sense of breathing, an elegant presence, and a more subtle relationship to space.
They transform an interior without overwhelming it. In a world often visually saturated, emptiness becomes almost a space of calm and presence.
Conclusion
In my work, emptiness is never a lack. It is a discreet presence that lets light, air, and sight circulate freely.
Through metal lace, I seek to create living sculptures, capable of evolving according to the space, the moment, and each person's sensitivity.
If you want to discover my contemporary sculptures or follow the workshop's work, you can explore the online gallery or join the newsletter.